Following the Line:
Identifying Textile Structure through Slow Looking
Identifying Textile Structure through Slow Looking
Following the Line begins with slow looking, the practice of “taking the time to carefully observe more than meets the eye at first glance.”¹ Through close attention to textile structures, surfaces, gestures, and traces, the project treats looking as an active form of learning. Lines are followed as stitched paths, drawn marks, structural threads, folds, repairs, and records of touch. They move between surface and structure, reminding us that “threads can be transformed into traces, and traces into threads.”²
A line of fiber can be clustered and twisted to create thread.
Threads can be plied together to create yarn.
Yarns can be interlaced to create weaving.
They can be interlooped to create knitting or crochet.
They can be intertwined to create lace.
To follow the line is to trace the path from fiber to form, revealing how fibers become structures, how techniques become traditions, and how much wonder can be held in a single thread.
Following the Thread Lines: An Exploration of the TRC Collection
This Object Study offers a beginning point for learning how to follow the line. Rooted in the hands-on experience of the Textile Resource Center, this project grew from a desire to understand textiles by spending time with them directly: looking, touching, noticing, and tracing how their structures come into being. It reminds us that every textile is made of lines at many scales, from individual fibers to threads, from threads to cloth, and from cloth to the objects we hold, study, and remember.
Look closely and slowly: What do you see?
Describe the threads.
What is the thread like?
Is it twisted, flat, tubular, scaly, smooth, fuzzy, shiny, matte, even, or irregular?
Observe the Color.
What colors do you see?
Does the fiber appear natural, dyed, painted, or pigmented?
Is the color consistent, faded, layered, or changing across the surface?
Follow One Line.
Where does one thread begin?
Where does it travel?
Does it pass over, under, around, through, loop, knot, twist, or disappear?
Where does it end?
Explore examples of these structures from Object Studies
Interlacing/ Braiding
Interlooping/ Crochet
Finding Value in the Everyday: Crochet Ducks, Kitsch, and Synthetic Yarn
An Interlooping Account of Language and Meaning: Star Anise and Xiaoshan Lace
Intertwining/ Lace
Interlocking/ Knotting/ Connection
Embroidery
Pieced/ Dimensional
Keep Following the Line
Every textile begins with a line, but no line stays simple for long.
It twists, loops, knots, crosses, gathers, holds, and remembers.
What else can a line become?
Key References:
Shari Tishman, Slow Looking: The Art and Practice of Learning Through Observation (Routledge 2017).
Ingold, Tim. “The Transformation of the Line: Traces, Threads and Surfaces.” Textile: The Journal of Cloth and Culture 8, no. 1 (2010): 10–35.
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