• Adelson, Laurie, Arthur Tracht, and Smithsonian Institution. Traveling Exhibition Service. Aymara Weavings : Ceremonial Textiles of Colonial and 19th Century Bolivia. Washington, D.C: Smithsonian Institution Traveling Exhibition Service, 1983.

• Agrawal, O. P. Conservation of Manuscripts and Paintings of South-east Asia. London: Butterworths, 1984.

• Ahmed, Harby Ezzeldin, and Abulnaser Abdulrahman Alzahrani, eds. Preservation and Restoration Techniques for Ancient Egyptian Textiles. Hershey: Information Science Reference an impritnt of IGI Global, 2023.

• Angelova, Lora V., Bronwyn Ormsby, Joyce H. Townsend, and Richard Wolbers, eds. Gels in the Conservation of Art. London: Archetype Publications, 2017.

• Arnold, Denise Y, and Elvira Espejo Ayka. The Andean Science of Weaving : Structures and Techniques of Warp-Faced Weaves. New York, New York: Thames & Hudson Inc., 2015.

• Bacon, Louise, Vicky Purewal, Emilia Kingham, and Deborah Phipps, eds. The Conservation of Hair. London: Archetype Publications, 2015.

• Becker, John, and Donald B. Wagner. Pattern and Loom: A Practical Study of the Development of Weaving Techniques in China, Western Asia and Europe. Copenhagen: RHODOS International Publishers, 2014.

• Behera, B. K, and P. K Hari. Woven Textile Structure : Theory and Applications. Boca Raton: CRC Press, 2010.

• Berger, Maurice, Jennifer A González, Fred Wilson, Baltimore County. Center for Art and Visual Culture University of Maryland, Frances Young Tang Teaching Museum and Art Gallery, Berkeley Art Museum and Pacific Film Archive, Sarah Campbell Blaffer Gallery, Addison Gallery of American Art, Studio Museum in Harlem, and Chicago Cultural Center. Fred Wilson : Objects and Installations 1979-2000. Baltimore, Md: Center for Art and Visual Culture, University of Maryland Baltimore County, 2001.

• Berzock, Kathleen Bickford, and Christa Clarke. Representing Africa in American Art Museums : A Century of Collecting and Display. Seattle: University of Washington Press, 2011.

• Berzock, Kathleen Bickford, host institution Mary and Leigh Block Museum of Art organizer, Aga Khan Museum  host institution., and National Museum of African Art  host institution. Caravans of Gold, Fragments in Time : Art, Culture, and Exchange across Medieval Saharan Africa. Evanston, Illinois: Block Museum of Art, Northwestern University, 2019.

• Bird, Junius Bouton, Louisa Bellinger, and Textile Museum. Paracas Fabrics and Nazca Needlework : 3rd Century B.C.--3rd Century A.D. Washington, D.C: National Pub. Co., 1954.

• Bonar, Eulalie H., ed. Woven by the Grandmothers: Nineteenth-Century Navajo Textiles from the National Museum of the American Indian. Washington, D.C.: Smithsonian Institution Press, 1997.

• Brooks, Mary M., and Dinah D. Eastop, eds. Changing Views of Textile Conservation. Los Angeles, CA: Getty Conservation Institute , 2011.

• Brunetta, Leslie, and Catherine L. Craig. Spider Silk: Evolution and 400 Million Years of Spinning, Waiting, Snagging, and Mating. New Haven: Yale University Press, 2010.

• Burnham, Dorothy K, Royal Ontario Museum, and Centre international d’étude des textiles anciens. Warp and Weft : A Textile Terminology. Toronto: Royal Ontario Museum, 1980.

• Buss, Chiara, Museo Poldi-Pezzoli, and Istituto per la storia dell’arte lombarda. Silk Gold Crimson : Secrets and Technology at the Visconti and Sforza Courts. Cinisello Balsamo (Milano): Silvana, 2009.

• Cahlander, Adele, and Suzanne Baizerman. Double-Woven Treasures from Old Peru. St. Paul, Minn: Dos Tejedoras, 1985.

• Cave, Nick, Naomi Beckwith, Romi Crawford, Antwaun Sargent, Malik Gaines, Linda Johnson Rice, Nona Hendryx, et al. Nick Cave : Forothermore. Chicago, Illinois: Museum of Contemporary Art, 2022.

• Clavir, Miriam. Preserving What Is Valued: Museums, Conservation, and First Nations. Vancouver: UBC Press, 2008.

• Conran, Elizabeth, and Bowes Museum. The Bowes Museum. London: Scala Books, 1992.

• Cook, Hillary Marie, and Fred Wilson. “Mining the Museum and after : Fred Wilson’s Institutional Legacy.” School of the Art Institute of Chicago, 2008.

• Crawshaw, Gill, Marisa Clements, Laura Moseley, Chris Shortt, Alice Bigsby-Bye, and Common Threads Press publisher. Rights Not Charity : Protest Textiles and Disability Activism. Edited by Marisa Clements, Laura Moseley, and Chris Shortt. Place of publication not identified: Common Threads Press, 2023.

• De Botton, Alain, and John Armstrong. Art as Therapy. London: Phaidon Press Limited, 2013.

• Dick, Jenifer, and Art Institute of Chicago. The Circuit Rider’s Quilt : An Album Quilt Honoring a Beloved Minister. First edition. Kansas City, MO: Kansas City Star Books, 2008.

• Duff, Robert Magregor. Master Weavers of the Altiplano: The Ancestral Artistry of Highland Women. Ann Arbor, MI: La Paz Publications, 2015.

• Eberhard, Wolfram. Dictionary of Chinese Symbols: Hidden Symbols in Chinese Life and Thought. London: Routledge & Kegan Paul, 2015.

• Eichhorn, S. J, and Textile Institute. Handbook of Textile Fibre Structure. Cambridge: Woodhead Publishing, 2009.

• Emery, Irene, and Textile Museum. The Primary Structures of Fabrics : An Illustrated Classification. Washington, D.C: Textile Museum, 1980.

• Enwezor, Okwui, Naomi Beckwith, Massimiliano Gioni, Glenn Ligon, Mark Nash, and New Museum  host institution. Grief and Grievance : Art and Mourning in America. London: Phaidon Press Limited, 2020.

• Ewer, Patricia, and Frances Lennard. Textile Conservation: Advances in Practice. Oxford: Routledge, 2010.

• Feng, Zhao, Sandra Sardjono and Christopher Buckley, eds. A World of Looms: Weaving Technology and Textile Arts. Hangzhou, Zhejiang: Zhejiang University Press, 2019.

• Ferrero, Pat, Elaine Hedges and Julie Silber. Hearts and Hands: The Influence of Women & Quilts on American Society. San Francisco, CA: The Quilt Digest Press, 1987.

• Five Centuries of Japanese Kimono: On This Sleeve of Fondest Dreams. Vol. 18. No 1. Chicago, IL: Art Institute of Chicago, 1992.

• Flecker, Lara. A Practical Guide to Costume Mounting. London: Routledge, 2013.

• Ghnaim, Wafa. Tatreez & Tea: Embroidery and Storytelling in the Palestinian Diaspora. 2nd ed. California: CreateSpace Independent Publishing Platform, 2018.

• Guy, John. Woven Cargoes: Indian Textiles in the East. New York, NY: Thames and Hudson, 1998.

• Harcourt, Raoul d’. Les textiles anciens du Pérou, et leurs techniques. Paris: Les Éditions d’art et d’histoire, 1934.

• Hayward, Maria, and Elizabeth Kramer. “Textiles and Text : Re-Establishing the Links between Archival and Object-Based Research : Postprints /.” London: Archetype Publications, 2007.

• Hearle, J. W. S., Lomas, B. Cooke, W. D. Atlas of Fibre Fracture and Damage to Textiles, 2nd edition. Cambridge, England: The Textile Institute, Woodhead Publishing, and CRC press, 2006.  

• Hedlund, Ann Lane. Reflections of the Weaver’s World: The Gloria F. Ross Collection of Contemporary Navajo Weaving. Denver, CO: Denver Art Museum, 1992.

• Hornor, Marianna Merritt. The Story of Samplers. Philadelphia: Philadelphia Museum of Art, 1971.

• Houck, Max M. Identification of Textile Fibers. Cambridge: Woodhead Pub., 2009.

• Janaway, R. C, Paul Wyeth, and AHRC Research Centre for Textile Conservation and Textile Studies. “Scientific Analysis of Ancient and Historic Textiles : Informing Preservation, Display and Interpretation : Postprints /.” London: Archetype, 2005.

• Karr Schmidt, Suzanne, Kimberly Nichols, and Art Institute of Chicago. Altered and Adorned : Using Renaissance Prints in Daily Life. First edition. Chicago: Art Institute of Chicago, 2011

• Landi, Sheila. The Textile Conservator’s Manual . London: Butterworth-Heinemann, 1997.

• Lennard, Frances, and Maria Hayward. Tapestry Conservation: Principles and Practice. Oxford: Butterworth-Heinemann, 2006.

• Lennard, Frances, Patricia Ewer, and Laura Mina, eds. Textile Conservation: Advances in Practice. 2nd ed. Abingdon, Oxon: Routledge, 2024.

• Little, Stephen, Shawn Eichman, Patricia Buckley Ebrey, Kristofer Marinus Schipper, Nancy Shatzman Steinhardt, Wu Hung, Art Institute of Chicago, and Asian Art Museum of San Francisco. Taoism and the Arts of China. First edition. Berkeley: University of California Press/Art Institute of Chicago, 2000.

• Livingstone, Joan, John Ploof, and Art Institute of Chicago. School. The Object of Labor : Art, Cloth, and Cultural Production. Chicago, Ill: School of the Art Institute of Chicago Press, 2007.

• Maxwell, Robyn J, and Australian National Gallery. Textiles of Southeast Asia : Tradition, Trade and Transformation. Canberra: Australian National Gallery, 1990.

• McCrone, Walter. Judgement Day for the Turin Shroud. Chelsea, MI: McCrone Research Institute, 1996.

• Michael, M. A., ed. “The Age of Opus Anglicanum /.” London: Harvey Miller Publishers, 2016.

• Minardi, Lisa, ed. Americana Insights 2024. Philadelphia: Americana Insights, 2024.

• Mohan, Urmila. Fabricating Power with Balinese Textiles. New York City: Bard Graduate Center, 2018.

• Moraga, Vanessa Drake, and Lawrence Krauser. Weaving Abstraction : Kuba Textiles and the Woven Art of Central Africa. Washington, DC: The Textile Museum, 2011.

• Moraga, Vanessa Drake. Animal Myth and Magic: Images From Pre-Columbian Textiles. 1st ed. Larkspur, CA: OLOLO Press, 2005.

• Morgan, Faith Pennick. Dress and Personal Appearance in Late Antiquity : The Clothing of the Middle and Lower Classes. Leiden ; Brill, 2018.

• Muir, Kim. "Wounded Masterpieces: Restoring Works of Art When Damage Carries Meaning." PhD diss., Queen's University, 2007. 

• Newell, Aimee E. A Stitch in Time : The Needlework of Aging Women in Antebellum America. Athens: Ohio University Press, 2014.

• Nosan, Gregory, and Art Institute of Chicago. Department of Textiles. Museum Studies 26.2 : Clothed to Rule the Universe: Ming and Qing Dynasty Textiles at the Art Institute of Chicago. Edited by Gregory Nosan. Chicago: Art Institute of Chicago, 2000.

• Nosan, Gregory, and Art Institute of Chicago. Museum Studies 33.2 : The Art of Indonesian Textiles: The E.M. Bakwin Collection at the Art Institute of Chicago. Edited by Gregory Nosan. Chicago: The Art Institute of Chicago in association with Yale University Press, 2008.

• O’Neale, Lila M. and Bonnie Jean Clark. Textile Periods in Ancient Peru III: The Gauze Weaves. Berkeley and Los Angeles, University of California Press, 1948

• Otavsky, Karel. Alte Gewebe und ihre Geschichte : ein Lese- und Bilderbuch. Riggisberg: Abegg-Stiftung, 1987

• Peck, Amelia, Amy Elizabeth Bogansky, and Metropolitan Museum of Art. Interwoven Globe : The Worldwide Textile Trade, 1500-1800. New York: Metropolitan Museum of Art, 2013.

• Pete, Lynda Teller and Barbara Teller Ornelas. Spider Woman’s Children: Navajo Weavers Today. Loveland, CO: Thrums Books, 2018.

• Pete, Lynda Teller, and Barbara Teller Ornelas. How to Weave a Navajo Rug and Other Lessons from Spider Woman. Loveland, Colorado: Thrums Books, 2020.

• Peter, Michael, Sophie Desrosiers, and Abegg-Stiftung host institution. “Velvets of the Fifteenth Century /.” Riggisberg: Abegg-Stiftung, 2020

• Petridis, Constantijn, Martha G Anderson, Kathleen Bickford Berzock, Pascal James Imperato, Manuel Jordán, Babatunde Lawal, Anitra C. E Nettleton, Janet M Purdy, and Art Institute of Chicago creator. Speaking of Objects : African Art at the Art Institute of Chicago. Edited by Constantijn Petridis. Chicago: Art Institute of Chicago, 2020.

• Phipps, Elena, and Fowler Museum at UCLA. The Peruvian Four-Selvaged Cloth : Ancient Threads/New Directions. Los Angeles: Fowler Museum at UCLA, 2013.

• Plummer, Sharbreon S, Lauren T Cross, Danielle Mason, Gil Ford, and issuing body Mississippi Museum of Art host institution. Of Salt and Spirit : Black Quilters in the American South. Jackson, MS: Mississippi Museum of Art, 2024.

• Plummer, Sharbreon S, Saffa Khan, and Common Threads Press publisher. Diasporic Threads : Black Women, Fibre & Textiles. Norwich, United Kingdom: Common Threads Press, 2022. https://docs.google.com/document/d/1t_n8AP4li8miK0sQnTky0of6WX2lAwuuBML9EPRBeJ8/edit?usp=sharing.

• Procter, Alice. The Whole Picture : The Colonial Story of the Art in Our Museums & Why We Need to Talk about It. London: Cassell, 2021. 

• Reichard, Gladys Amanda, and Louise Lamphere. Spider Woman : A Story of Navajo Weavers and Chanters. Albuquerque, NM: University of New Mexico Press, 1997.

• Richmond, Alison, and Alison Bracker, eds. Conservation: Principles, Dilemmas and Uncomfortable Truths. Abgington, Oxforshire: Routledge, 2020.

• Ring, Betty, Rhode Island Historical Society., Houston Museum of Fine Arts, and Metropolitan Museum of Art. “Let Virtue Be a Guide to Thee : Needlework in the Education of Rhode Island Women, 1730-1830.” Providence, R.I: Rhode Island Historical Society, 1983.

• Ring, Betty. Girlhood Embroidery : American Samplers & Pictorial Needlework, 1650-1850. First edition. New York: A.A. Knopf, 1993.

• Rogerson, Cordelia, and Paul Garside. “The Future of the 20th Century : Collecting, Interpreting and Conserving Modern Materials : Postprints /.” London: Archetype, 2006.

• Ropers, H. Morgenländische Teppiche. Berlin: Richard Carl Schmidt & Co., 1922.

• Ropers, Hinrich, and Paul Schulze. Morgenländische Teppiche : ein Auskunftsbuch für Sammler und Liebhaber. 4., Völlig neubearb. Auflage von Professor P. Schulze. Berlin: R. C. Schmidt, 1922.

• Ropers, Hinrich. Morgenländische Teppiche : ein Handbuch für Sammler und Liebhaber. 9., neu Bearb. Auflage. Braunschweig: Klinkhardt & Biermann, 1965.

• Roth, H. Ling. Studies in Primitive Looms. Bedford: Ruth Bean Carlton, 1977.

• Sawyer, Alan R. Early Nasca Needlework. London: Laurence King in association with Alan Marcuson, 1997.

• Schulze, Paul. Alte stoffe : ein leitfaden für sammler und liebhaber. 2., Beträchtlich erweiterte auflage. Berlin: R. C. Schmidt & co., 1920.

• Schulze, Paul. Alte Stoffe: Ein Leitfaden für Sammler und Liebhaber. Berlin: Richard Carl Schmidt & Co., 1917.

• Schulze, Paul. Ueber Gewebemuster früherer Jahrhunderte: Ein Beitrag zur Geschichte und Entwickelung der Webekunst. Leipzig: Theodor Martin’s Textil-Verlag, 1893.

• Scott, Rebecca. Samplers. Oxford, U.K. ; Shire Publications, 2009.

• Siegal, William, and Deutsches Textilmuseum Krefeld. Aymara-bolivianische Textilien : 20. November 1991-26. Januar 1992 : eine Ausstellung im Deutschen Textilmuseum Krefeld = Historic Aymara textiles : November 20, 1991-January 26, 1992 : an exhibition in the German Textile Museum Krefeld. Krefeld: [Deutsches Textilmuseum Krefeld], 1991.

• Simons, D. Brenton, Peter Benes, and New England Historic Genealogical Society. The Art of Family : Genealogical Artifacts in New England. First edition. Boston, MA: New England Historic Genealogical Society, 2002.

• Sims, Patterson, Fred Wilson, and Seattle Art Museum. The Museum : Mixed Metaphors, Fred Wilson. Seattle, WA: Seattle Art Museum, 1993

• Sittenfeld, Michael, ed. Museum Studies 23.2 : African Art at the Art Institute of Chicago. Chicago, Ill: The Art Institute of Chicago, 1997.

• Speiser, Noémi. The Manual of Braiding. Basel: N. Speiser, 1983.

• Tharoor, Shashi. Inglorious Empire: What the British Did to India. London: Hurst, 2017.

• Thurman, Christa C. Mayer. The Department of Textiles at the Art Institute of Chicago. Chicago, IL: Art Institute of Chicago, 1978.

• Tímár-Balázsy, Ágnes, and Dinah Eastop. Chemical Principles of Textile Conservation. Oxford: Butterworth-Heinemann, 1998.

• Tishman, Shari. Slow looking: The Art and Practice of Learning Through Observation. New York, NY: Routledge, 2018.

• Tütüncü, Mehmet, Magnus Reesel, Zeynep Öztürk, P Brood, and Peter van der Coelen. Scenes from 16th Century Ottoman Empire = 16. Yüzyıl Osmanlı İmparatorluğundan Manzaraları. Edited by Ömer Erdem. Heemstede, Netherlands: SOTA / Research Centre for Tukish and Arabic World, 2021.

• Weiss, Francine, Megan Horn, Norah Diedrich, and Merrill Allen, eds. Hair Stories. Newport, RI: Newport Art Museum, 2021.

• Wetter, Evelin, Corinna Kienzler, and Agnes Ziegler. Liturgische Gewänder in der Schwarzen Kirche zu Kronstadt in Siebenbürgen. Riggisberg: Abegg-Stiftung, 2015.

• Wilson, Fred, Leslie King-Hammond, Lisa G Corrin, Ira Berlin, and Contemporary. Mining the Museum : An Installation. Baltimore: Contemporary in cooperation with The New Press, New York, 1994.

• Wilson, Fred, Pace London  host institution., and Pace Gallery host institution. Fred Wilson : Afro Kismet. New York: Pace Gallery, 2018.

• Zegart, Terri. Quilts : An American Heritage. New York, NY: Smithmark, 1994

EXHIBITIONS 

• De Botton, Alain, and John Armstrong. Art is Therapy. Exhibition, April 25–September 7, 2014. Rijksmuseum, Amsterdam.

• Gala Porras-Kim: Precipitation for an Arid Landscape. Cambridge, MA: Harvard Radcliffe Institute, 14 February 2022 - June 30 2022

• Less Than Perfect. Ann Arbor, MA: University of Michigan, 2016-2017

• Well/Being: An Exhibition on Healing and Repair. Albany, NY: University Art Museum, August 4 2021 - 11 December 2021

• Wilson, Fred. Mining the Museum. Exhibition. Maryland Historical Society, Baltimore, April 4, 1992 – February 28, 1993. 

EXHIBITION GUIDE 

• Traces of Displacement. Manchester: the Whitworth, 7 April 2023-12 May 2024.

• Cloth That Stretches: Weaving Community Across Time and Space. Berkeley, CA: Phoebe A. Hearst Museum of Anthropology, 13 February 2020 - 21 June 2020. https://hearstmuseum.berkeley.edu/exhibit/cloth-that-stretches/

ARTICLES 

• Allegra, I. (2022). Unspooling Die Gramgewinde: Writing with Gunta Stölzl on Grief-Threads and Grief-Portals. TEXTILE, 20(4), 506–523. https://doi.org/10.1080/14759756.2021.1908732

• Bean, Susan S. “Gandhi and Khadi, the Fabric of Indian Independence.” Essay. In Cloth and Human Experience, 355–76. Washington DC: Smithsonian Institution Press, 1989.

• Casadio, Francesca. “Sharing Power: Leadership Lessons from Interdisciplinary Practices in an Art Museum.” Curator: The Museum Journal 64, no. 3 (2021): 441–463. doi.org.

• Costandi, Mo. "Life after Death: The Science of Human Decomposition." The Guardian, May 5, 2015. https://www.theguardian.com/science/neurophilosophy/2015/may/05/life-after-death.

• García-Vedrenne, Laura Gisela. "Revisiting to Understand: An Evaluation of the Influence of Conservation on the Display Representation of Hernan Cortes’ Funerary Cloth, Mexico." Intervención. Revista Internacional de Conservación, Restauración y Museología 9, no. 17 (January–June 2018): 22–32.

• Goggin, Maureen Daly. “Suturing a Wounded Body—Wounded Mind in Red Silk on White Linen: Embodied and Hand(y) Knowledge of Trauma.” Linguaculture 2012, no. 1 (January 1, 2012). https://doi.org/10.2478/v10318-012-0016-4.

• Henderson, Jane. "Beyond Lifetimes: Who Do We Exclude When We Keep Things for the Future?" Journal of the Institute of Conservation 43, no. 3 (2020): 195–212. https://doi.org/10.1080/19455224.2020.1810729.

• Holly, Michael Ann. “Mourning and Method.” The Art Bulletin 84, no. 4 (2002): 660–69. https://doi.org/10.2307/3177289.

• Holm, Christiane. “Sentimental Cuts: Eighteenth-Century Mourning Jewelry with Hair.” Eighteenth-Century Studies 38, no. 1 (2004): 139–43. http://www.jstor.org/stable/30053632.

• Lutz, Deborah. “The Dead Still Among Us: Victorian Secular Relics, Hair Jewelry, And Death Culture.” Victorian Literature and Culture 39, no. 1 (2011): 127–42. http://www.jstor.org/stable/41307854.

• Molina, Sarah. "Intersections in an Art Museum: Where Art Meets Science." Art Institute of Chicago, 2020. https://www.artic.edu. 

• Molina, Sarah. “Sustaining the Lives of Art Objects.” American Medical Association Journal of Ethics, 2019. doi:10.1001/AMAJETHICS.2019.450.

• Pickett, Barbara Setsu. “Rahul Jain’s Reimagined Velvet Drawloom.” In The Social Fabric: Deep Local to Pan Global: Proceedings of the Textile Society of America 16th Biennial Symposium, Vancouver, BC, Canada, September 19–23, 2018. Lincoln: University of Nebraska–Lincoln DigitalCommons, 2018. https://digitalcommons.unl.edu/tsaconf/1102/ - https://doi.org/10.32873/unl.dc.tsasp.0045

• Renken, Sophie. “The Performativity of Hair in Victorian Mourning Jewellery.” The Coalition of Master’s Scholars on Material Culture, June 4, 2021.

• Sheumaker, Helen. “‘This Lock You See’: Nineteenth-Century Hair Work as the Commodified Self.” Fashion Theory 1, no. 4 (November 1997): 421–45. https://doi.org/10.2752/136270497779613620.

• Smith, Rachel. “Eighteenth Century Objects of Grief: Beyond the Mourning Ring.” New Directions in Eighteenth- and Nineteenth-Century Art, October 29, 2021. https://ndenca.wordpress.com/blog-2/.

• Tom, Cybele. "When Old Was New: Rethinking Traditional and Contemporary Art and Their Paradigms of Care." In Conservation of Contemporary Art: Bridging the Gap Between Theory and Practice, edited by Renée van de Vall and Vivian van Saaze, 87–100. Cham: Springer Nature, 2023. doi.org.

• Webb, Matthew Raj, and Sarah Molina. “Narrative Threads: Weaving New Pathways for Textile Knowledge.” Textile Society of America Newsletter, Fall., 2025.

WEBSITES 

• Carr, Karen. “Why Visiting a Museum Is Like Seeing My Friends in Jail.” Hyperallergic, July 20, 2021. https://hyperallergic.com/661952/why-visiting-a-museum-is-like-seeing-my-friends-in-jail/.

• Fabriclore, Vibe. “How Did British Rule Impact Indian Textile.” Fabriclore Journal (blog), August 13, 2022. https://fabriclore.com/blogs/journal/history-of-indian-textile.

• Ramos, Sam. “Why Connecting Legal and Medical Professionals to Art Is Essential.” Hyperallergic, August 24, 2021. https://hyperallergic.com/671020/why-connecting-legal-and-medical-professionals-to-art-is-essential/.

• Suttie, Jill. “How Small Moments of Empathy Affect Your Life.” Greater Good, August 31, 2021. https://greatergood.berkeley.edu/article/item/how_small_moments_of_empathy_affect_your_life.

• Tharoor, Shashi. “Imperial Receipts with Dr Shashi Tharoor | Episode 3: Destruction.” YouTube video, posted by Dr. Shashi Tharoor Official, September 16, 2025. https://www.youtube.com/watch?v=3BAJ03lwa4I&t=60s.

• Umolu, Yesomi. “On the Limits of Care and Knowledge: 15 Points Museums Must Understand to Dismantle Structural Injustice.” Artnet News, June 25, 2020. https://news.artnet.com/art-world-archives/limits-of-care-and-knowledge-yesomi-umolu-op-ed-1889739.

• Yancy, George. “Death Has Many Names .” The New York Times , February 14, 2021. https://www.nytimes.com/2021/02/14/opinion/Yoruba-religion-death.html.